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  Slater Mill

  Berkley Series Book 7

  Written by Ron Ripley

  Edited by Emma Salam

  Copyright © 2017 by ScareStreet.com

  All rights reserved

  Thank You and Bonus Novel!

  I’d like to take a moment to thank you for your ongoing support. You make this all possible! To really show you my appreciation for downloading this book, I’ve included a bonus scene at the end of this book. I'd also love to send you the full length novel: Sherman’s Library Trilogy in 3 formats (MOBI, EPUB and PDF) absolutely free!

  Download Sherman’s Library Trilogy in 3 formats, get FREE short stories, and receive future discounts by visiting www.ScareStreet.com/RonRipley

  Keeping it spooky,

  Ron Ripley

  Table of Contents

  Chapter 1: Slater Mill, Nashua, NH

  Chapter 2: Myrtle Street Patrol

  Chapter 3: Berkley Street

  Chapter 4: Santeria

  Chapter 5: Visiting with Brian and Jenny

  Chapter 6: Standing on the Corner

  Chapter 7: Looking for Something

  Chapter 8: Researching the Mill

  Chapter 9: Watching Slater Mill

  Chapter 10: Jose Seeks to Cleanse the Mill

  Chapter 11: In the Bedroom

  Chapter 12: The Cultivation of a Ghost

  Chapter 13: Edgewood at Night

  Chapter 14: The Super’s Office

  Chapter 15: Alone with His Thoughts

  Chapter 16: Uncertainty about Courtney

  Chapter 17: Frank Returns

  Chapter 18: Coming to Terms with the Dead

  Chapter 19: An Introduction to Pierre

  Chapter 20: In the Car

  Chapter 21: Disbelief

  Chapter 22: Dangerous Reading

  Chapter 23: The Sounds of Machines

  Chapter 24: Heightened Concern

  Chapter 25: Preparing for the Confrontation

  Chapter 26: An Unexpected Conflict

  Chapter 27: A Sickness Spreads

  Chapter 28: A Phone Call is Made

  Chapter 29: A Difficult Conversation

  Chapter 30: A Curious Scene

  Chapter 31: The Bearer of Bad News

  Chapter 32: Power Grows

  Chapter 33: Planning and Preparation

  Chapter 34: Forced to Believe

  Chapter 35: Information Gathered

  Chapter 36: Impatient for Results

  Chapter 37: Earning their Pay

  Chapter 38: Inside the Slater Mill

  Chapter 39: Too Easy

  Chapter 40: A Failure at the Most Basic Level

  Chapter 41: An Interrupted Sleep

  Chapter 42: Shock and Awe

  Chapter 43: A Conversation between Friends

  Chapter 44: The Dead do not Forget

  Chapter 45: Broken

  Chapter 46: Tidying Up

  Chapter 47: Focus and Drive On

  Chapter 48: In the Library Again

  Chapter 49: The Fruits of Their Labor

  Chapter 50: Looking for Jack

  Chapter 51: Unasked for Interruptions

  Chapter 52: Sweating and Afraid

  Chapter 53: The Danger Spreads

  Chapter 54: Frank Gets a Feeling

  Chapter 55: Alone

  Chapter 56: A Small Measure of Satisfaction

  Chapter 57: Preparing for Slater Mill

  Chapter 58: A Lucky Break

  Chapter 59: Getting Dressed

  Chapter 60: The Machine

  Chapter 61: Well Planned and Well Executed

  Chapter 62: Preparing to enter the Mill

  Chapter 63: An Observation of Tactics

  Chapter 64: A Brutal Cold

  Chapter 65: Unknown Destination

  Chapter 66: Among the Books

  Chapter 67: Awakening

  Pierre Bonus Scene Chapter 1: Slater’s Office, July 1910

  Pierre Bonus Scene Chapter 2: On the Killing Floor

  Pierre Bonus Scene Chapter 3: Passing Along Information

  Pierre Bonus Scene Chapter 4: On Lake Street

  Pierre Bonus Scene Chapter 5: Watching Him

  Pierre Bonus Scene Chapter 6: Recruiting the Talent

  Pierre Bonus Scene Chapter 7: The Final Interview and Correction

  Jack Bonus Scene Chapter 8: Dunstable, 1785

  Jack Bonus Scene Chapter 9: Jack Stands Accused

  Jack Bonus Scene Chapter 10: Israel Walks Along the Path, 1804

  Jack Bonus Scene Chapter 11: Dunstable, 1805

  Jack Bonus Scene Chapter 12: Alone with Jack

  FREE Bonus Novel!

  Chapter 1: Slater Mill, Nashua, NH

  Miguel had crept into the decrepit mill building shortly after midnight. A sharp chill had sprung up in the April air, and he needed a place to sleep. He had managed to hitch-hike from Lawrence to Nashua, but his uncle hadn't been home.

  No one had even answered any of the doors in his uncle's building.

  And Miguel had been wearing the wrong colors for Vine Street. His blue hoodie, representing his ties to the ‘Muerto Brotherhood’ had been met with hostile expressions from other young men and women. Most of those he saw were clad in dark green, the color representing the Vaqueros.

  Sleeping in the hallway outside of his uncle's apartment hadn't been an option, not if he wanted to avoid a beat down.

  The mill had been a decent option. A hole in the wire fence had let him slip away from the ones who had followed him. And he had been pleased that they hadn't pursued him into the building itself.

  Miguel knew it meant the place was probably patrolled, but he figured he could outrun any fat security guard who might have the job.

  Miguel eased the door behind him shut and waited for a moment while his eyes adjusted to the dim light. The glow of the street lamps was filtered through windows grimy with decades of dust and grit. When he could finally see, Miguel noticed that the worn wooden floorboards were covered with the same.

  Tracks of various small animals crisscrossed through the film on the floor.

  There weren't any footprints.

  Miguel grinned.

  He glanced back at the door he had entered, then he moved deeper into the wide passage. Stairs, worn down in the center, led up to a second floor, and he decided to follow them. Staying too close to the door might be risking exposure.

  Especially if he had triggered some sort of silent alarm.

  Frowning at the idea, Miguel hurried up the stairs. He took them two at a time until he reached the second floor.

  Miguel stumbled to a stop, surprised at what he saw.

  A cavernous room stretched out before him, one that looked to be the entire second floor. Dark pillars reached from floor to ceiling, and windows ran along the brick walls. Like the glass on the first floor, these windows were filthy.

  And while the first floor had seemed warmer than the outside, the second floor felt colder.

  Shivering, Miguel took a few cautious steps into the room. He looked from left to right, trying to see if any of the windows were broken.

  But the fact that none of them were, brought him to a stop.

  All of the windows should have shattered. There shouldn't have been a shard of glass left in the frames.

  Miguel had seen plenty of empty buildings in Lawrence, and if they were abandoned, it meant the windows were the targets of any kid who thought he could pitch in the major leagues.

  Miguel knew this because he had broken his share of windows as well.

  The dust at his feet spiraled up, whipped around the bottom of his jeans, and then dissipated. Another one arose a short distance away, then it died down as well. A third appeared at the left wall, but instead of dropping back to the floor as
the others had, it stretched towards the ceiling. Soon it was as tall as Miguel, and a heartbeat later, it towered over him.

  He took a nervous step back, trying to see where the air creating the twisting spiral was coming from.

  Yet as he did so, the dust exploded in his face, blinding him.

  Miguel retched, trying to catch his breath. The filth invaded his nose and tried to plunge into his open mouth. He wanted to shut it out, but he couldn't, the vomit forcing him to keep his lips separated.

  Something struck him in the stomach, doubling him over, and a powerful force struck him on the back of the neck, knocking him to his knees.

  An angry, male voice asked him a question Miguel couldn't understand. The language wasn't Spanish or English.

  The man repeated his question, and when Miguel failed to answer, he was struck on the side of the head. Miguel whimpered as the blow drove him to the floor. His head throbbed, and he couldn't move, he tried to open his eyes, but his eyelids refused to respond.

  The man muttered in his unintelligible language, and Miguel felt him grab hold of his sweatshirt's hood. Miguel made an effort to get to his knees, but a boot caught him in the stomach and sent a fresh spike of pain through him.

  Miguel found himself being dragged across the floor, the boards rough and harsh against his hands. Splinters drove deep into his flesh, and he whimpered.

  The stranger paused, struck Miguel in the head again, and then continued on.

  For a moment longer, Miguel was dragged along, and then the man stopped. Hands grasped his left leg and left arm, a brutal cold penetrating his clothes. A sharp, jerking motion brought Miguel up off the floor, and he managed to force his eyes open.

  Miguel was in the air, suspended above the stairwell.

  Desperate, Miguel twisted in the grip of his attacker and looked down.

  But there was nothing to see.

  Miguel was held aloft by nothing.

  The unseen man asked a single question.

  Miguel still couldn't answer because he didn't understand.

  The man sneered and threw Miguel.

  The stairs, Miguel discovered, were hard and unyielding.

  Chapter 2: Myrtle Street Patrol

  Kurt Warner and Bill Waters both responded to the call about a break-in at the Slater Mill off Myrtle Street. It was a first for both of them.

  No one, in all of Kurt's time with the Nashua Police Department, had ever broken into Slater Mill. Bill, who had five years more on the force than Kurt, hadn't heard of it either. The place was almost a no-go zone for the local kids. Nobody knew why, and no one in the department had ever asked. The Mill was one less place to worry about, and that was fine with Kurt.

  Bill parked the cruiser at the front gate, which wasn't even chained or locked.

  Kurt took out his flashlight, held it up, and scanned beyond the fence. "Which door was it?"

  "Pine Street side," Bill answered.

  "Great," Kurt grumbled.

  "Yeah," Bill said. "Ready?"

  "Sure," Kurt sighed. "Let's do this. Probably a squatter."

  Bill nodded and pushed the gate open. They went in together, and Kurt took the lead. The Pine Street Entrance was an easy hundred yards up the right side of the building. As they went, Kurt noticed the lack of trash on the inside of the fence. In the light of the halogen street lamps, he saw that there were no cigarette butts, no signs of any sort of human passage.

  It was as if everyone in the area paid attention to the 'No Trespassing' signs zip-tied to the fence every twenty or thirty feet.

  When they approached the Pine Street door, Kurt saw it was ajar, a sliver of darkness apparent. The sight of it made him uncomfortable, and he slipped the catch off of his holster, freeing his pistol.

  "That's not good," Bill said, his voice low.

  "No," Kurt agreed.

  Bill called in their status on the radio, as well as the fact that the door was open. He finished with, "Proceeding inside."

  Kurt took a deep breath, settled his suddenly anxious nerves, and stepped forward. He pushed the door open, shined his light into the Mill and called out, "Nashua Police!"

  No one answered as Kurt moved the flashlight's beam from left to right, then he stopped. Beyond a set of wide stairs, he saw several fingers.

  "I've got somebody," Kurt said. He stepped into the building, Bill following behind him.

  "Hello," Kurt said, directing his voice toward the stairs. "Are you hurt?"

  A finger twitched.

  Bill saw it too, and in a heartbeat, he was calling for an ambulance.

  Still proceeding with caution, Kurt advanced towards the person beyond the stairs. When he reached them, Kurt stopped and dropped to a knee.

  A young Hispanic male lay on the floor, his body contorted and broken. His neck was twisted awkwardly, his brown eyes rolling in his head, the pupils pulsing without any sense. How the kid was still alive, Kurt couldn't understand, but he knew it wouldn't be for much longer.

  "Hey," Kurt said, reaching out and taking the hand he had seen. In Spanish, he asked, "Are you a Catholic?"

  Somehow, the boy squeezed his hand.

  "Do you want a priest?" Kurt asked.

  Again, the boy responded with a weak grasp of Kurt's hand.

  Leaning forward Kurt said, "Do you ask God for forgiveness, and repent for your transgressions against Him?"

  Again, the boy answered.

  "Do you know who did this to you?" Kurt asked.

  The boy didn't respond.

  "Was it a stranger?"

  The boy gripped Kurt's hand, squeezing it with surprising strength.

  "Are they still here?" Kurt asked.

  The boy didn't answer.

  He couldn't. His brown eyes had rolled up to reveal only the whites, and he had breathed his last breath in the filth of the old mill building.

  Kurt sat down, took his radio, and called dispatch. In the distance, he heard an ambulance's siren wail, and he asked the dispatcher to send along the priest who was on call.

  Chapter 3: Berkley Street

  The knock on Shane's door startled him.

  "Come in," he called after a moment.

  Frank opened the door. Shane saw that Frank was dressed in a suit and asked, "What the hell's going on?"

  Frank raised an eyebrow. "You don't remember?"

  "Obviously not," Shane said, getting up from his chair and stretching. "Sorry. What's happening today?"

  "My brother, Alex, is getting married," Frank said, shaking his head. "I'll be gone for the weekend."

  "Oh," Shane said, drawing the word out. "Damn. That's right. Sorry, Frank."

  Frank looked at him. "I'm worried about you, Shane. You're forgetting a lot more lately."

  "I'm still not sleeping that well," Shane confessed. "Been trying to cut back on the whiskey, too."

  "Maybe you ought to go and see a doctor?" Frank asked.

  Shane frowned and didn't answer. He and Frank had had that conversation more than once.

  Frank sighed. "Alright. Well, think about it. I do know a couple of people up at the Manchester VA who'll be able to help you out."

  "Yeah," Shane said. "I know. Let me sleep on it."

  "Ha," Frank said without any sort of humor. "Real funny. Take care of yourself this week. The newspaper's on the kitchen table. There's another unsolved murder in Nashua."

  "Where?" Shane asked.

  "The Slater Mill," Frank answered.

  "Again?" Shane said.

  Frank nodded. "Yup. The paper has dubbed the killer as the Mill Murderer."

  "Because of two bodies?"

  "Yeah," Frank said. "Some nice, light reading for you."

  Shane snorted. "The way the paper edits, it's more like some light torture."

  Frank chuckled, waved goodbye and left the room. Shane turned back to his desk, closed the book he had been reading and pinched the bridge of his nose. He had a slight headache. The lack of sleep made any sort of mental exercise a challenge.
He considered getting out a fresh bottle of whiskey.

  Part of him wanted to drink himself into unconsciousness, but he knew that it wouldn't be a restful sleep.

  I need to figure out what to do about Courtney, he thought. But as soon as it crossed his mind, Shane shoved the idea away. It hurt him to think of her, and so he did his best not to.

  Even when she was screaming in the middle of the night.

  Sighing, Shane left the room. He walked along the hallway, down the stairs, and into the kitchen. None of the house’s dead bothered him, and he was pleased. He needed time alone. Time to think about what he needed to do.

  His work as a translator had dropped off, and that was his fault for focusing more upon the dead than the living. He knew he could always find work, but he lacked the desire to seek out new jobs. Courtney occupied a great deal of his thoughts, and he wondered if it would be possible to bring her back from madness, or if he would have to find a way to force her to move on.

  Shane took a pack of cigarettes off the counter, fished a smoke out, and lit it. He dropped them onto the dining table beside the paper and sat down. Frank had left the front-page face up, and in bold letters, a headline proclaimed, “Mill Murderer Strikes Again!” A sub-title asked if the police were dragging their feet because of the location of the mill, and Shane shook his head.

  It never ceased to amaze him that people thought the police played favorites when it came to death. If someone was murdered, detectives did their best to find the perpetrator.

  The article was accompanied by a series of photographs. In the first picture, there was a police officer standing in front of a door marked with yellow caution tape. The second was of a coroner’s van. It was the third photograph that caught Shane’s attention.

  The final picture was a wide shot of the mill itself. It looked like a normal, nineteenth-century mill. Dull red bricks, tall windows, and fading white trim peeling after decades of neglect. Those were expected.

  What brought Shane’s mind to a sharp, cold focus was what he saw in the window above the door.

  A pale shape.

  Through the dirty glass, he saw a man, and for a moment Shane thought it might have been nothing more than a trick of the daylight on the window.